Essay
on The Importance of Form in Literature Stately,
plump
Buck Mulligan came from the stairhead, bearing a bowl of
lather on which a mirror and a razor lay crossed. A
yellow dressinggown, ungirdled, was sustained gently
behind him on the mild morning air. He held the bowl
aloft and intoned: --_Introibo
ad
altare Dei_. Halted,
he
peered down the dark winding stairs and called out
coarsely: --Come
up,
Kinch! Come up, you fearful jesuit! Solemnly
he
came forward and mounted the round gunrest. He faced
about and blessed gravely thrice the tower, the
surrounding land and the awaking mountains. Then,
catching sight of Stephen Dedalus, he bent towards him
and made rapid crosses in the air, gurgling in his
throat and shaking his head. Stephen Dedalus, displeased
and sleepy, leaned his arms on the top of the staircase
and looked coldly at the shaking gurgling face that
blessed him, equine in its length, and at the light
untonsured hair, grained and hued like pale oak. Buck
Mulligan
peeped an instant under
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the
mirror
and then covered the bowl smartly. --Back
to
barracks! he said sternly. He
added in a preacher's tone: --For
this,
O dearly beloved, is the genuine Christine: body and
soul and blood and ouns. Slow music, please. Shut your
eyes, gents. One moment. A little trouble about those
white corpuscles. Silence, all. He
peered
sideways up and gave a long slow whistle of call, then
paused awhile in rapt attention, his even white teeth
glistening here and there with gold points.
Chrysostomos. Two strong shrill whistles answered
through the calm. --Thanks,
old
chap, he cried briskly. That will do nicely. Switch off
the current, will you? He
skipped
off the gunrest and looked gravely at his watcher,
gathering about his legs the loose folds of his gown.
The plump shadowed face and sullen oval jowl recalled a
prelate, patron of arts in the middle ages. A pleasant
smile broke quietly over his lips. --The
mockery
of it! he said gaily. Your absurd name, an ancient
Greek! |