Testimony pro Testimony

"It's true. It's accurate.
Sometimes, for me, there is too much rumour in it,
but nothing major. The basis of the book is correct."
MAXIM SHOSTAKOVICH
conductor, composer's son
BBC-2 TV interview 1986


"I am an admirer of Solomon Volkov.
There is nothing false there [in Testimony].
Definitely the style of speech is Shostakovich's - not only
the choice of words, but the way they are put together."
GALINA SHOSTAKOVICH
composer's daughter
Interview with Allan Ho and Dmitry Feofanov 1996


"It's all true."
RUDOLF BARSHAI
conductor, friend of Shostakovich
BBC Radio 3 interview 1983


"Everything in Testimony is true. Everything."
IL'YA MUSIN
conductor, friend of Shostakovich
Gramophone 1997


"I have no doubt that it's true."
KURT SANDERLING
conductor, friend of Shostakovich
DSCH1996


"Basically everything that is stated there is true."
MSTISLAV ROSTROPOVICH
cellist, conductor, friend of Shostakovich
Interview with Elizabeth Wilson 1989


"Authentic from its first to its last letter."
ANDREI BITOV
novelist
Shostakovich's Gulag and Memorial 1991


"I have no doubts about the authenticity of these confessions."
VERA VOLKOVA
musicologist
melos 1993


"I regard this book as one of the most important publications devoted
to the composer, and its authenticity does not raise any questions.
There is no doubt about it. I am ready to put my signature
under every word of it. This is the truth about Shostakovich."
LEV LEBEDINSKY
musicologist, friend of Shostakovich, co-author of libretto to Rayok
melos 1993


"I read the book with excitement, unable to put it down. I reread it,
reflected on it, compared it with my own materials (diaries, letters, and
clippings). I checked it with statements made by Shostakovich's friends
and, finally, with my own memories. From every angle, I found myself
contemplating the same picture - exactly what I had seen happening
around him, even inside him, at the beginning of the '60s."
DANIEL ZHITOMIRSKY
musicologist, friend of Shostakovich
Daugava 1990


"It was with the greatest agitation that I read
Shostakovich's memoirs, prepared by Solomon Volkov.
Much of what comes as a surprise to the Western reader was not
a surprise for me. I knew many things and guessed many others."
KYRILL KONDRASHIN
conductor, friend of Shostakovich
The Interior Shostakovich 1980


"The conductor Kyrill Kondrashin has wholeheartedly endorsed
the book and I have been privately informed through a reliable source
in the Soviet Union that it is indeed authentic."
GERALD ABRAHAM
musicologist
The Times Literary Supplement 1982


"Most of Testimony, I'd say, corresponds to the truth."
YURI TEMIRKANOV
conductor
DSCH 1995


"What I read in that book is what I hear in his music.
To me that's the important issue. The spirit is true."
SEMYON BYCHKOV
conductor
BBC-2 TV interview 1991


"My views are identical with Ian MacDonald's views (on Testimony).
He really understands what happened, and in the end he says
what I said and what Rostropovich and Vishnevskaya said,
and what Maxim said in the end. As far as the character
and image of Shostakovich are concerned, I'm sure Testimony
is true to life."
VLADIMIR ASHKENAZY
pianist, conductor
DSCH 1991


"Exceptionally important in acutely describing how the composer
found himself entangled in the mechanisms of a totalitarian system,
and his dependence on the foibles of a morally corrupt musical milieu
directed by Tikhon Khrennikov. Even if we contest its authenticity, its
value is no less inestimable for those interested in musical biography..."
KRZYSZTOF MEYER
composer, friend of Shostakovich, author of Dimitri Chostakovitch (1994)
Ibid.


"In the light of all we know today about the inhuman terror
the communists maintained in Russia for seventy years, you may say that
Testimony is a rather moderate document. This lack of criticism in the
wide political perspective speaks in favour of the book's authenticity."
TORSTEN EKBOM
musicologist
melos 1993


"The book by Solomon Volkov was considered an authentic document
without any reservation during the last few years of the Soviet system.
The legend that circulated earlier, insinuating that the book was
a falsification, was completely disposed of, though it is
still disturbing some Western minds."
DETLEF GOJOWY
musicologist, author of Dimitri Schostakowitsch (1983)
melos 1993


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